![]() So you get a song like “Palm Trees in Memphis,” where Gotti recalls memories of childhood poverty over a sumptuous soul sample from producer STREETRUNNER. Gotti’s still live from the kitchen, cooking bricks over a stove, “making that pot go do the beatbox.” There’s little tension because CM10: Free Game swerves colder portraits of a dealer’s life, keeping the viewfinder firmly on the benefits. This suggests a duality to the two sets, but any thematic disparity is basically undetectable. On the artwork accompanying Side B, he’s kitted out in some of his sharpest formal wear. The cover of Side A features a topless Gotti wearing sagging pants and a clean hat and kicks. Instead, it dropped to streaming services in two halves. ![]() In old times, CM10: Free Game would simply be a double album.
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